An acclaimed photographer based in Melbourne, Jesse Marlow has carved out an extraordinary career with his work showcased in prestigious collections such as the National Gallery of Victoria, Australian Parliament House, the Monash Gallery of Art, and the State Library of Victoria. His dedication to storytelling through photography has earned widespread acclaim, including the International Street Photographer Award in 2011 and the Bowness Prize in 2012.
Joining Caulfield in 1991 for Year 7, the transition from primary school opened up a world of opportunity and camaraderie. Support and encouragement from teachers in the art department played a pivotal role in nurturing his early interest in photography. Teachers like Maxwell Grierson and Ross Brooks inspired his exploration of graphic design and photography, while Ann De Pettri the school’s photography teacher, went above and beyond to ensure students could develop their work in the darkroom after hours and even on holidays.
This commitment left an indelible mark on his formative years. Another key influence was history teacher Rodney Knight, who provided that first spark of professional opportunity by inviting him to photograph for the school magazine, beginning a lifelong relationship with the art form.
Beyond the classroom, the friendships and connections made during Caulfield years taught lessons in collaboration and community that have continued to guide him throughout his career. Documenting graffiti around Melbourne from a young age provided early insights into capturing the vibrancy of urban landscapes; however, it was the creative spirit fostered by schoolmates and mentors that expanded his perspective. Trips into the city with peers, cameras in hand, helped develop a fascination with real-world storytelling; a theme central to his work today.
The influence of these early experiences became evident with the publication of Centre Bounce, Football From Australia’s Heart, in 2003. The book, born from documenting Indigenous football communities in the Northern Territory, reflects a love for storytelling and a deep respect for connection and culture. Over time, projects like Wounded and Don’t Just Tell Them, Show Them further cemented his reputation as a luminary in street photography. Each body of work, whether collaborative or personal, has been shaped by the curiosity and resilience instilled during his time at school.
Reflecting on his career, he emphasises the importance of developing personal connections and maintaining curiosity. He encourages budding photographers to explore beyond technical skills, focusing instead on forming meaningful networks and creating work that is genuinely their own.
Looking ahead, his enthusiasm remains unwavering. With several new books in progress and upcoming workshops scheduled abroad, there is no sign of slowing down. These projects, much like his past works, are poised to weave together authenticity, creativity, and the essence of human connection.
